Sonya was at her best once again (well, so was Jack) filling up every crevice of white board she could find and she helped us to see how audience might stifle the voice of a beginning writer and how voicelessness is disempowering, so we should be building agency in voice as classroom educators.
Meanwhile, Jack nodded good poetry with better poetry and called on the masses to make a parallel poem....everyone achieved. The work was exceptional.
Today, we have four more secret guests coming to work with our crews and it's humbling to see how it all comes together. In my "Holmstead Park" poem this year, I went after 2014, the first year Julie and I worked together as co-directors.
Ruin. The Sun
It was 2014. Julie
wore a flowered skirt
with combat boots
and left in a Jeep
towards her home
in Shelton.
Trees were still green
and swaying like trickling
hourglasses along the highway.
I was 41 then, learning to
embrace cicadas and songs
of departing summer days.
Perhaps we both
thought about graduations,
the ways milestones get timed
with tossed tassels,
and dreadlocks turn to fades
and twinsget first chin whiskers
before they learn to shave.
I was just 41, then,
riding the tilt-a-whirl
fathers do, not knowing
if the ride would ever stop.
I wore Sauconys,
throwbacks, a
wide-brim cap from
NYC that kept me
looking younger
than I was.
Her ducklings
unnesting, too…
Broome County,
French horns…
…on the eve of
adulthood.
So comes these Augusts,
and I still don't know
how important these tymbals
are to every song…
even if the car radios
have turned to silence.
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